How Ilia Malinin Revolutionized Figure Skating with His Quadruple Axel

How Ilia Malinin Revolutionized Figure Skating with His Quadruple Axel

Ilia Malinin: The Quad God Who Made History and Sparked a Conversation

When Ilia Malinin took the ice at the 2026 Winter Olympics in Milan, the world watched not just a figure skating performance, but a moment that bridged generations, challenged traditions, and ignited conversations about representation in sports. Born to Olympic skaters Tatiana Malinina and Roman Skorniakov, Malinin’s journey to becoming the “Quad God” was written in the ice from the very beginning.

A Legacy Written in Ice

The son of two Olympic competitors who represented Uzbekistan, Malinin first stepped onto the ice at just six years old. What began as a child following in his parents’ graceful footsteps has evolved into something extraordinary. By his teenage years, Malinin had already earned his “Quad God” moniker, mastering multiple quadruple jumps with a fluidity that seemed to defy physics.

But at the 2026 Winter Olympics, Malinin didn’t just demonstrate technical prowess—he made history in two remarkable ways during the team event competition.

The Backflip That Broke Barriers

On Sunday’s performance, Malinin concluded his short program with a breathtaking backflip that sent shockwaves through the figure skating world. The move wasn’t merely impressive for its athleticism; it represented a significant moment in Olympic history. Malinin became the first figure skater to legally land a backflip at the Olympics.

The backflip had been banned by the International Skating Union in the late 1970s, deemed too dangerous for competition. The prohibition remained in place for nearly five decades until it was finally lifted in 2024. Malinin seized the opportunity immediately, incorporating the daring move into his competitive repertoire.

However, the significance of this moment extended beyond Malinin’s achievement. While he was celebrated for his groundbreaking performance, many observers noted the stark contrast with French skater Surya Bonaly’s experience nearly three decades earlier.

In 1998, at the Nagano Winter Olympics, Bonaly—a Black woman competing in a sport historically lacking diversity—performed a backflip knowing it would cost her points. She understood the penalty but chose to execute the move anyway, telling The Root in 2014 that she “wanted to leave a trademark.” Where Malinin received praise, Bonaly faced punishment for the same daring innovation.

Following Malinin’s performance, Bonaly shared her perspective with the Associated Press, demonstrating remarkable grace and perspective. “I broke ice for other skaters,” she said. “Now everything is different. People welcome anyone as long as they are good and that is what life is about.”

Her words encapsulated both the progress made and the conversations still needed about representation, recognition, and the evolving culture of figure skating.

The Quad Axel: A Move That Defines a Generation

While the backflip captured headlines, Malinin’s performance was equally notable for what he didn’t do: attempt his signature quadruple axel. The quad axel—requiring the skater to launch while moving forward, complete four and a half rotations in the air, and land moving backward—represents perhaps the most difficult jump in figure skating history.

Malinin remains the only skater to have successfully executed this jump in competition, making his decision to withhold it from the team event particularly intriguing. Many speculate he’s saving this breathtaking maneuver for the men’s free skating competition on Friday, which will serve as his final performance of these Games.

The strategy makes sense on multiple levels. The quad axel demands incredible height and rapid rotation speed, requiring peak physical condition and mental focus. Performing it at the climax of his Olympic journey would create a fitting finale for the skater who has redefined what’s possible on ice.

A Showman’s Strategy

Malinin has never been just a technician; he’s a performer who understands the art of timing and spectacle. The decision to potentially save his most difficult jump for last follows a long tradition of showmen who understand that sometimes the greatest impact comes from strategic restraint.

The physics of the quad axel are staggering. The skater must generate enough upward momentum to achieve sufficient hang time while simultaneously creating the rotational force for 4.5 spins. The margin for error is microscopic, and the consequences of miscalculation can be severe. Yet Malinin has made this seemingly impossible maneuver look routine—a testament to years of dedicated training and natural talent.

The Conversation Continues

Malinin’s Olympic journey has sparked discussions that extend far beyond the technical aspects of figure skating. His success, coming in the wake of pioneers like Bonaly, highlights both the progress in the sport and the work still needed to ensure equitable recognition and opportunity.

The figure skating community now finds itself at an interesting crossroads. Rules that once seemed permanent—like the backflip ban—can change. Athletes who once faced punishment for innovation can now be celebrated for the same moves. The sport is evolving, and Malinin stands at the forefront of this transformation.

What Comes Next?

As the figure skating world turns its attention to Friday’s men’s free skating competition, all eyes will be on whether Malinin will unveil his quad axel. If he does, it won’t just be another technical achievement—it will be a statement about pushing boundaries, honoring the past while creating the future, and the continuing evolution of Olympic sport.

Whether he lands the quad axel or not, Ilia Malinin has already secured his place in figure skating history. He’s the athlete who made the impossible routine, who honored the pioneers who came before him while blazing his own trail, and who reminded us all that the ice is a place where history is made one jump at a time.

And perhaps, just perhaps, we’ll see a few more backflips along the way.


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